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Narrative Horror Shorts (SLIFF 2018)

11/8/2018

1 Comment

 
For all my new readers: Welcome to DoubleFeaturePreachers.com! For all those returning, welcome back, and thanks for continuing to support us. Every year, like clockwork, November rolls around. And every year, I attempt to watch far too many movies as part of the St. Louis International Film Festival. I’m a humble part-time critic who has a full-time job and a family, so that’s quite an ask. But every year as the festival motors on, I’m so glad that I took the time to watch the films that I did.
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One of my favorite nights (it’s the only thing I’ve attended all three years I’ve been covering the festival) is the night the Narrative Horror shorts play. Everyone who has read on the site before knows it’s my favorite genre of film, and the short format really gives good storytellers a chance to flex their muscles. I’m going to follow the format I’ve had in festivals past (check out my past reviews in 2016 and 2017 for some other really excellent shorts). That means that my favorites are marked with big bright stars for easy viewing.  As always, if any of the directors, writers, or cast members wants to reach out and talk more, shoot me an e-mail at DoubleFeaturePreachers@gmail.com ! Without further ado, on with the horror!

And the Baby Screamed (2018) 4 minutes
Director: Dan Gitsham

I always admire the people that put the festival together, because they seem to do a great job at getting people into the mood for horror by selecting something that hits all the right beats before moving deeper into the shorts. This year’s leadoff short was “And the Baby Screamed”. A short that the majority of the dialogue is a baby screaming.

As a father of two, I completely identify with this short. There are times you just want to turn off that monitor and drift away into dreamland. However, your reasoning for continuing to get up is reinforced by the end of this short. I liked the effects, and I liked the way it slowly built to the climatic moment. If it has a downside, it’s that the speed of it doesn’t necessarily give you enough time to connect with the father character. I’m giving this one a “B-”.

Check it out on IMDB for more information! 

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Relax, It's Probably Just a Parasite (2018)
6 minutes

Director: Joel Benjamin
Writer: Joel Benjamin


I highly admire those that can set horror movies to animation. It’s tremendously ambitious because so often the animation medium is associated with children’s films or Japanimation. So I will give kudos to Joel Benjamin for attempting to accomplish what he does.

However, I didn’t necessarily like the film. The film is a series of animations regarding animalistic predatory habits that are narrated by a gentleman who is attempting to explain his symptoms in a hypochondriac manner. It’s an almost experimental piece.

The animation style is fairly fluid, with the lines at times drifting away with the movement. I think the highlight is the use of sound – the crunches and bite sounds actually had several people in the audience groaning.

I don’t necessarily understand the connection between the words and the animation – in the end, I would have rather lived without the words. I’m giving this one a D+ “.  

Check out the IMDB page here!


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Cabin Killer (2018) 11 minutes
Director: Michael Rich
Writer: Michael Rich


Here’s our first standout of the horror shorts night. This film very quickly reminded me of one of my favorite shorts I’ve ever watched – Ryan Spindell’s The Babysitter Murders. It had a similar tone to it from the start – a very playful horror that says “I know what genre I’m in, and I want to take your assumptions and have fun”. The short stars Chris Orlandi and Gabi van Horn as Adam and Sherri, a couple that needs to take a break from everything to get their relationship back in order. Unfortunately for them, Adam has booked them a tiny cabin in the middle of nowhere, and there’s the infamous Cabin Killer on the loose.

Cabin Killer gave you plenty of chances to laugh, and to be fair, some of the jokes do fall flat. But that’s often the case when you pile so many clichés up at once, and Rich succeeds admirably in giving allusion to such films as I Know What You Did Last Summer, Friday the 13th, and The Evil Dead. It’s a lot of fun, while still managing to have enough vestiges of horror that you get a chill or two. I highly recommend it. I’m giving this one an “A-“.

Check out the IMDB page here!


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Rainmaker (2018) 19 minutes
Director: Kristen Hester
Writer: Katherine Cronyn


Ok – this film was something I really had to chew over in my mind. Often times, these are the hardest shorts to deal with, because you have so many shorts in a row that you can’t really think about any of them for longer than the credits sequence.  The film follows a young woman named only K (played by Katherine Cronyn, who also wrote the film) and her daughter Honor (played by Kira Bennett). The film opens in a resteraunt, and K can just barely take one bite. Her daughter, who is obviously hungry, scarfs some food before realizing that her mother isn’t eating anything, and works to follow her mother’s example.

Without explicitly saying so, the film seemed to be about an eating disorder. There is one scene that takes place in a shower that seems to go forward and imply that K is buliemic, and the way that Hester shoots Cronyn’s body in the few scenes where she is exposed seems to lend credence to that idea. However, there is a lot of distractions from the main point – there is a lot of time dedicated to lupine creatures, like wolves, and a lot of time focusing on paintings, particularly faces.

While I may be missing the point of those other focuses, I have to say that I really loved Cronyn’s performance. She was one of the clear highlights of the short, with her performance ranging all over the emotional map without missing a beat. But it would be a shame to talk about this short and not mention the incredible make-up effect performed on Craig Ng, known here only as Skinny Man. It’s a fantastic little bit of work that really makes him seem terribly scary.
With a few minor tweaks, this one would have gotten a star. I’m not going to pretend to understand everything about it, but I will give it a “B”.

Check out the IMDB page here!


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Who Decides (2018)
8 minutes

Director:
Mylissa Fitzsimmons

Writer:
​Mylissa Fitzsimmons





This was the first short that actually made people gasp, which is always fun when you are viewing the film in person. It follows a young girl who is walking around in to different hospital rooms, and speaking with their occupants, and having metaphysical discussions.

This short is simple and to the point, and I like that. About halfway through there is a turning point that really makes the film into something worth watching. I especially liked the performances between the two actresses – Jenny O’Hara, the older woman, and Addison Eckert, the younger girl. Even more kudos for assigning a creepy redhead as the little girl – I am one so I can get away with comments like that – because her performance is fantastic. She reminds me of a young punk who just wants to shake the system. While that’s awesome, it’s her line delivery that’s truly spectactular, and shows some great direction from Ms. Fitzsimmons.

With some polishing – cut out a few unnecessary moments near the beginning, and a few in the middle, the film would have been perfection. As it stands, it’s still very good, and I’m giving it a “B”.

Check out the IMDB page here!


The Exam (2017) 9 minutes
Director: Alina Suarez Aguilera

This is the one film I couldn’t find an IMDB page for, so I don’t have much more information than you could get from the page for SLIFF. Apologies there.

This featured a nice change on the exorcism story. I liked the way they presented it too – it preserves the surprise for as long as possible, and the guy who is possessed really sells it. His performance is the best part of the short.

It does have its downsides. The film doesn’t seem to commit very hard to its twist, so I don’t think it lands the same punch that some of the other films do. It also features some language difficulties in the sense that the characters speak so fast that you can’t read the subtitles to pick up all the language. This is especially apparent at the beginning of the short when the exorcism is first taking place.

Technically, it’s a very polished film, but otherwise, I didn’t find anything about this that was overly above average. I’m giving it a “C”. 

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The Whistler (2018) 11 minutes
Director: Jennifer Nicole Stang

Writers: Jennifer Nicole Stang
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Here’s our first of a few stories in a row that feature on youth. Here, we have a young woman babysitting her younger sister while her parents so unthankfully leave her. While she watches a horror film, her sister asks for a bedtime story, which morphs into a tale of the town. This tale is of the Whistler, a gentleman that took a bunch of kids and murdered them in order to make them live forever. It’s like the Pied Piper, with murder!

I thought that this was a nice story that probably would have been better served in a longer format. There was nothing inherently scary about the kids themselves, there was nothing super scary about the Whistler himself besides maybe some make-up, and the story whistled (pardon the terrible pun) along so that you couldn’t really build up any fear. I think if the film was dragged out, we might get a halfway decent horror film out of it. Here though, I would probably only give it a “C”.

Check out the IMDB page!


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Post Mortem Mary (2017) 10 minutes
Director: Joshua Long
Writer: Joshua Long

This film, however, hit the timing sweet spot. The film features some perfectly executed scares, combined with some solid effects work to give you some downright chills. I, more than once I might add, had the shivers while watching this one.

Post Mortem Mary follows a young girl Mary (I think her name is Stella Charrington) as she and her mother (Melanie Zanetti) go to the house of a recently deceased girl in order to take their death photograph. This is something that used to be quite common, and so it’s cool to see it brought into the horror scene.

There are some reasons why this one got its star, the first of which is small attention to writing details that don’t go unnoticed. First, the fact that you gave Mary a reason to be in a room alone with the dead girl – her mother is training her to be on her own, and is maybe even sick. Second, the bit where the girl has been dead for two weeks – but somehow isn’t decomposed more. Some of that may be a budgetary constraint (make-up for decomposition is expensive), but some of it may just be that director/writer Joshua Long knew where he wanted to go with the film.

And oh my the scares. Long has perfectly timing, allowing the camera to linger just long enough that you focus on the wrong thing. Speaking of the camera, I loved the effect that was featured with young Mary looking through the camera lens around the room.

While I didn’t love the “twist” (bit telegraphed) as much, I can’t help but love the film overall. I’m giving this one an “A-“.

Check out the IMDB page here!


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The Candlelight Witch (2017) 10 minutes
Director: Rebecca Flinn-White
Writers: Todd Spence, Zak White


Ah, the old story of an old lady who is trying to steal some children. Who doesn’t love this horror classic tale? I thought that this would be kind of a waste when it started out, but the way the story unfolds was solid, despite the use of lots of horror clichés – power outage, kids home alone, even the old school flame popped popcorn.

This film, though a bit reliant on jump scares, has one of the best spooks of the night. It’s some great effects and great make-up to make the Candlelight Witch too.

I think of all the films, this is the best suited to be made into a feature. The writers seemed to know it too with the way that they left the film at the end. I’m happy with this one, but a move away from the old standbys would make this one stand apart. I’m going to give it currently a “B”.

Check out the IMDB page!


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Something in the Darkness (2017) 14 minutes
Director: Fran Casanova
Writer: Fran Casanova

This film just didn’t do it for me. From the start of the film, I thought I was going to love it. It had a great cold open that felt wasted after a few moments. The film even ends with an H.P. Lovecraft quotation! How could David possibly not like it?

The film just doesn’t seem to have much going for it, and it gives away everything that’s going to happen far too quickly. I understand that the dialogue has to give you a certain clue as to what is going to unfold in the film, but it just seemed far too blatant in order to rely on a twist. When you combine that with the opening, which almost feels disconnected with the rest of the film, I think the film starts to have some tonal issues. If the film focused more on what made it good – our innate fear of the dark and the unknown – and less on things like trying to fool us, it would have made a much better short overall. I’m only giving this one a “C-“.

Check it out on IMDB. 


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Urban Myth: Nest (2017) 16 minutes
Director: Kristin M. Burke
Writer: Kristin M. Burke

Remember how, way back about two thousand words ago, I stated that the people at SLIFF know how to stack a schedule so that the right film leads off? Well, I’m happy to say they continue their streak at the end of the night as well. I’ll apologize in advance, this is the longest review here, because I have a lot to say about it.  Our very last film was Kristin M. Burke’s Urban Myth: Nest, and it’s a doozy.

Karla (Shanley Caswell) is living alone with her baby while her man Nick (Jeremy Chavarria) is on military assignment. Director Burke uses this to experiment in a few different ways – frequently using the webcam to give us different perspective shots, and eventually allowing some of the real action to occur on a cam – but I’m getting ahead of myself. Let’s just leave it at the fact that Ms. Burke uses a variety of different techniques to film, and this allows a bit more realism to seep in than you normally see in some horror.

Ms. Caswell’s acting is solid – she says the harried mother aspect perfectly, and the set pieces really accent her performance. Whether it’s her grocery choices (a huge block of cheese, several 2 liters), her cheap $10 monitor, or her mess of a time schedule (she’s consistently late), these are all small details that build to the story, and is an excellent example of how a short should be told. Very good writing from Ms. Burke.

Karla is having some real trouble getting ahold of Vito (Mike Hagerty – Mr. Treeger from Friends to you 90s kids like me!) the super of the building. He’s leaving disgusting messes around the apartment, taking her food, and this is all adding to Karla’s stress level. Her baby is often forgotten in the mess that her life has become as she struggles as a single parent.

Everything all comes to a head when Vito eventually calls her back. I’m not going to spoil any of the twist – it’s too delicious in its own simplistic manner – but I will say it hits like a hammer to the head. I loved this film, it was the best one of the night. I’m giving it an “A+” and saying that you should do whatever you can do to find a chance to watch it!

Check out its IMDB page here!


IN CONCLUSION

For those of you that have stuck with me through this entire post, I applaud you. It’s quite a lengthy one, but I always want to say thank you to those that stick out the entire post. It’s a lot to write, but it feels like even more to read! In conclusion, it’s great to see that horror shorts are in no short supply when it comes to quality films. We here at DoubleFeaturePreachers.com are obviously huge fans of them, and look forward to any submissions to the site in the future.
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I would like to thank Cinema St. Louis for putting on SLIFF 2018. Look forward to more of the shorts competitions!
1 Comment
jeffrey lampert
11/9/2018 03:18:18 pm

Thank you for the great review. We enjoyed making it!
Jeffrey Lampert (Producer)

Reply



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    David

    ​"All work and no play makes Jack a dull boy" 
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